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Since Dec,01,1998

©1998 By barybary

 

"BOHEMIA AFTER DARK"

"cover LP of the Cannonball First Session as a Sideman"
 

Savoy MG 12017

 Other Reissue 





Clik on the Thumbnail to enlarge
Clik on the Thumbnail to enlarge

 

Recorded  June 28 , 1955 . Hackensack , NJ

 

JULIAN "Cannonball" ADDERLEY - Alto

HORACE SILVER- Piano

NAT ADDERLEY , DONALD BYRD- Tp

PAUL CHAMBERS - Bass

KENNY CLARKE - Drums

JEROME RICHARDSON - Tenor & Flute



SIDE A

BOHEMIA AFTER DARK (Oscar Pettiford) 6:04
CHASM (J .& N . Adderley) 4:17
WILLOW WEEP FOR ME ( A.Ronell) 6:17
LATE ENTRY (J .& N . Adderley) 3:10


SIDEB

HEAR ME TALKING TO YA (J .& N . Adderley) 9:03
WITH APOLOGIES TO OSCAR (J .& N . Adderley) 5:42
We'll be Together again ( Omit Cannonball) 6:54


 

For all the details about the SAVOY sessions ,

go to

The Complete discography of Cannonball On Savoy Jazz Record

Kenny Clarke, veteran modernist who still out-rhythms out-solos, and out-guesses all comers in the percussion field is the pivotal point around which this album revolves . . . or, perhaps Swings, is a better word. As a great jazz musician, he is also able to recognize potential greatness in other musicians. After all, his part in laying the rhythmic foundation for modern jazz is no small one! Here, he has brought to Savoy and Ozzie  Cadena (A&R chief) a group of "new" jazz stars . . . most performing for the first time on wax here! Titled after that out standing N.Y. City club that has been a prime force in the  presentation of the "hard bop" East Coast (if you like terms) school of jazz, the Cafe Bohemia in Greenwich Village has been a jazzman's home away from home! (Unfortunately, the young lady gracing our cover does NOT come with the drinks at the club.) The recording date was extremely informal. From the rather large group the men organized their riffs, took turns and blew. Very few re-takes were made, because the spirited session seemed to "take off just right" and stay that way! Out of Chaos comes Beauty, they say ... and from the freedom of organization and uniformity in tight arranging has come an outstanding "blowing" session of high merit! The jazz world owes thanks to Kenny for his "discovery" for records of the brothers Adderley, who were fresh up from Florida when recorded here. Additional thanks too for the opportunity to record such stellar "youngsters" as Don Byrd, Paul Chambers, and Jerome Richardson . . . all 3 
now rated among the leading lights on today's scene.

RUDY VAN GELDER - ENGINEER