Since Dec,01,1998
©1998 By barybary
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Original cover LP SAVOY WL 71407 /
SJL 1195
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Recording date : Hackensack NJ,
June 28 , 1955.
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Paul Chambers ,Bass ;Nat Adderley ,Cornet except on
"Willow Weep For Me "
Donald Byrd ,Trumpet except on "Willow Weep For
Me " and "Late Entry
Jerome Richardson , Tenor Sax on "With Apologies To
Oscar ", Bohemia After Dark" & "Chasm" , Fl on "Late entry"
Side A
1. With
Apologies to oscar 5'42
2. Bohemia
After Dark 5'42
3. Chasm
4'05
4.
Late
Entry 3'15
Side B_4
4. With
Apologies to oscar 5'42
Recording date : Hackensack NJ,
July 14, 1955.
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Cannonball Adderley , As
Kenny Clark ,Drums
Paul Chambers ,Bass
Hank Jones ,Piano
Nat Adderley ,Cornet except on "Flamingo"
Side B
1. A
Little Taste 4'55
2.Caribbean
Cutie 5'15
3. A few words from Cannonball during
false starts of Spontaneous Combustion 0'36
Others tracks under Kenny Clark
sessions
For all the details about the SAVOY
sessions ,
go to
The
Complete discography of Cannonball On Savoy Jazz Record
Some will try to make
you believe a fairytale that a 26 year old high
school teacher ,in NY to do graduate work over the
summer, can earn the mantle of Charlie Parker in a
single solo, obtain a prestigious gig in two days,
secure a record sate in a week, become a star in a
month, and remain a legend forever. This is the
storybook tale of Julian Cannonball Adderley, and
overnight sensation and a lasting success and here
it's by his brother Nat:
"Great night ! We'd
just came into town because my brother was going
to do some work at NY University. He was gonna
work on his masters. And we went down, the first
night, to Cafe Bohemia ..... Oscar Pettiford was
playing. I think Jerome Richardson was the
saxophone player and he had a record date, so
Oscar Pettiford asked Charlie Rouse if he would
like to play with them. Rouse said he didn't have
a horn and Pettiford said :" There's a dude over
with an alto. Go borrow his horn ." Rouse came
over to Cannonball and he recognized him for a
session they did in Florida. He said :" Hey, what
are you doin' in town ? ". Cannonball said :" I'm
going to school" . Rouse :" Do you want to sit in
?" and Cannonball said :" Sure ! " . Rouse went
back and told Oscar Pettiford :" This dude doesn't
want to let me use his horn. He said he wants to
play himself. Well, he called him up to get rid of
him and Cannonball sailed throughout the first
couple of tunes and then I went up and played and
two nights later, we had a job with that thing.
Sounds like some movie stuff but that's they way
it really was."
For the record, that
special night was Sunday June 19, 1955. Cannonball
began work at the Cafe Bohemia on Tuesday June
21,1955 . He made his first recording with his new
associates on Tuesday June 28,1955 on Savoy (not
6/26/55 which has been listed. ) For that same
label, Cannonball Adderley cut his first LP as a
leader on Thursday July 14,1955. It is the historic
sessions, that treaded a larger audience to the
sensation of his performance debut.
This is the way the
jazz world met Cannonball Adderley . If you're
digging him for the first time, then you're
recreating that initial reaction of the 1955 jazz
community .
If you're already
familiar with the originally issued material (Savoy
: MG 12017, MG 12018 , SJC 401 , SJL 2206 ) Then
this package holds the larger treat of alternates
takes , all never before released ! This
allows the true study of the master players : a
listening to their improvisations performed on the
same thematic-harmonic material just minutes apart.
With the uncovering of
these unlisted entries from his first session and
his first as a leader we find Cannonball Adderley to
be in the front line of " from scratch"
improvisators . Too many of jazz's major players
(Armstrong , Beiderbecke ,Coltrane , Gillespie
,Powell and Rollins come quickly to mind ) are
undocumented in this fashion .
PHIL SCHAAP
Nat Adderley quote:
10/12/84 interview with Phil Schaap
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