| Record of the Year |
“Up, Up and
Away,” 5th Dimension |
| Album of the Year |
Sgt. Pepper's Lonely
Hearts Club Band, The Beatles
(Capitol) |
| Song of the Year |
“Up, Up and
Away,” Jimmy L. Webb, songwriter |
| Best New Artist |
Bobbie Gentry |
| Best Vocal
Performance, Male |
“By the Time I Get
to Phoenix,” Glen Campbell |
| Best Vocal
Performance, Female |
“Ode to Billie
Joe,” Bobbie Gentry |
| Best Performance By a
Vocal Group (Two to Six Persons) |
“Up, Up and
Away,” 5th Dimension |
| Best Performance By a
Chorus (Seven or More Persons) |
“Up, Up and
Away,” Johnny Mann Singers |
| Best Contemporary
Single |
“Up, Up and
Away,” 5th Dimension |
| Best Contemporary
Album |
Sgt. Pepper's Lonely
Hearts Club Band, The Beatles
(Capitol) |
| Best Contemporary
Male Solo Vocal Performance |
“By the Time I Get
to Phoenix,” Glen Campbell |
| Best Contemporary
Female Solo Vocal Performance |
“Ode to Billie
Joe,” Bobbie Gentry |
| Best Contemporary
Group Performance, Vocal or Instrumental |
“Up, Up and
Away,” 5th Dimension |
| Best Rhythm and Blues
Recording |
“Respect,”
Aretha Franklin (Atlantic) |
| Best Rhythm and Blues
Solo Vocal Performance, Male |
“Dead End
Street,” Lou Rawls |
| Best Rhythm and Blues
Solo Vocal Performance, Female |
“Respect,”
Aretha Franklin |
| Best Rhythm and Blues
Group Performance, Vocal or Instrumental
(Two or More) |
“Soul Man,”
Sam and Dave |
Best
Instrumental Jazz Performance, Small
Group or Soloist With Small Group
 The Adderley Brothers
|
|
Mercy, Mercy, Mercy, Cannonball
Adderley Quintet
|
Best Instrumental Jazz Performance, Large
Group or Soloist With Large Group
 Duke Ellington
|
|
“Far East Suite,” Duke
Ellington
|
| Best Country and
Western Song |
“Gentle on My
Mind” John Hartford, songwriter |
| Best Country and
Western Recording |
“Gentle on My
Mind,” Glen Campbell (Capitol) |
| Best Country and
Western Solo Vocal Performance, Male |
“Gentle on My
Mind,” Glen Campbell |
| Best Country and
Western Solo Vocal Performance, Female |
“I Don't Wanna Play
House,” Tammy Wynette |
| Best Country and
Western Performance, Duet, Trio or Group
(Vocal or Instrumental) |
“Jackson,”
Johnny Cash and June Carter |
| Best Gospel
Performance |
More Grand Old Gospel,
Porter Wagoner and the Blackwood Brothers |
| Best Sacred
Performance |
How Great Thou Art,
Elvis Presley |
| Best Folk Performance |
“Gentle on My
Mind,” John Hartford |
| Best Instrumental
Arrangement |
Alfie, Burt
Bacharach, arranger |
| Best Arrangement
Accompanying Vocalist(s) or
Instrumentalist(s) |
“Ode to Billie
Joe,” Jimmie Haskell, arranger |
| Best Instrumental
Theme |
“Mission:
Impossible,” Lalo Schifrin, composer |
| Best Instrumental
Performance |
“Chet Atkins Picks
the Best,” Chet Atkins |
| Best Score From an
Original Cast Show Album |
Cabaret, Fred Ebb
and John Kander, composers (Columbia) |
| Best Original Score
Written for a Motion Picture or
Television Show |
“Mission:
Impossible,” Lalo Schifrin, composer |
| Album of the Year,
Classical (tie) |
Berg, Wozzeck,
Pierre Boulez conducting Paris National
Opera; solos: Berry, Strauss, Uhl and
Doench (Columbia) |
| |
Mahler, Symphony No. 8 in E-Flat
Major (“Symphony of a
Thousand”), Leonard Bernstein
conducting London Symphony Orchestra
(Columbia) |
| Best Classical
Performance, Orchestra |
Stravinsky, Firebird
and Petrouchka Suites, Igor
Stravinsky conducting Columbia Symphony |
| Best Chamber Music
Performance |
West Meets East,
Ravi Shankar and Yehudi Menuhin |
| Best Classical
Performance, Instrumental Soloist(s)
(With or Without Orchestra) |
Horowitz in Concert,
Vladimir Horowitz |
| Best Opera Recording |
Berg, Wozzeck,
Pierre Boulez conducting Paris National
Opera; solos: Berry, Strauss, Uhl and
Doench (Columbia) |
| Best Classical Choral
Performance (tie) |
Mahler, Symphony No.
8 in E-Flat Major (“Symphony of a
Thousand”), Leonard Bernstein
conducting London Symphony Orchestra |
| |
Orff, Catulli Carmina, Robert
Page conducting Temple University Chorus;
Eugene Ormandy conducting Philadelphia
Orchestra |
| Best Classical Vocal
Soloist Performance |
Prima Donna, Vol. 2,
Leontyne Price; Francesco
Molinari-Pradelli conducting RCA Italiana
Opera Orchestra |
| Best Comedy Recording |
Revenge, Bill
Cosby (Warner Bros.-Seven Arts) |
| Best Spoken Word,
Documentary or Drama Recording |
Gallant Men, Sen.
Everett M. Dirksen (Capitol) |
| Best Recording for
Children |
Dr Seuss: How the
Grinch Stole Christmas, Boris Karloff
(MGM) |
| Best Album Cover,
Graphic Arts |
Sgt. Pepper's Lonely
Hearts Club Band, Peter Blake and
Jann Haworth, art directors (Capitol) |
| Best Album Cover,
Photography |
Bob Dylan's Greatest
Hits, Roland Scherman, photographer;
John Berg and Bob Cato, art directors
(Columbia) |
| Best Album Notes |
Suburban Attitudes in
Country Verse, John O. Loudermilk,
annotator (RCA) |
