Since Dec,01,1998
©1998 By barybary
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On all selections except
"Lovers":
Julian Cannonball Adderley-soprano and alto saxophones
Nat Adderley-cornet
Alvin Batiste-electric clarinet, flute, tenor saxophone
George Duke -electric piano, synthesizers
Alphonso Johnson-electric bass
Jack Dejohnette-drums
Airto-percussion
On "Lovers" only, the personnel is:
Flora Purim-vocals
Nat Adderley-cornet
Alvin Batiste-electric clarinet
Nat Adderley, Jr.-electric piano
Ron Carter-acoustic bass
Alphonso Johnson-electric bass solo*
Jack Dejohnette-drums
Airto-percussion*
George Duke-synthesizers; fourth vocal verse
Produced by Nat Adderley and
Orrin Keepnews
Side 1:
1. Nascente (Hertmeto PascoaI) Pascoal
Music-BMI 6:03
2. New Orleans Strut (Jack Dejohnette) Dejohnette Music-BM1 4:33
3. Children of Time (George Duke) Mycenae Music-ASCAP 3:39
(Children of Time is played by Nat Adderley, George Duke, and
Airto only)
4 Ayjala
(Alvin Batiste) Jazzstronauts Music-BMI
7:03
Side 2:
1. Salty Dogs (Batiste) Jazzstronauts
BMI 7:28
2. Lovers (Nat
Adderlay, Jr.) Dillard
Music-BMI 11:39
Produced by Julian and Nat Adderley and Orrin
Keepnews
Recording engineer-Jim Stern
(Fantasy Studios, Berkeley ; June 24 and 25, 1975.)
Late in June of 1975 Cannonball began an album designed to
combine some old friends and some new ones. Specifically, old
meant his brother and constant colleague Nat, two frequent members of his
recording-studio rhythm sections- George Duke and Airto Moreira;
and Alvin Batiste, a close friend he had only very rarely been
able to entice away from his teaching career in Louisiana. New included Jack Dejohnette
and Alphonso Johnson, both of whom Cannon greatly admired but had
never previously worked with.
In two days we completed most of the project. Everything went
incredibly smoothly, and there was even an unexpected bonus: the
remarkable Brazilian composer/ arranger/instrumentalist Hermeto
Pascoal, who had accompanied his friend Airto from Los Angeles to
our Berkeley studios, listened quietly to the first day's work
and then showed up the next day with a tune composed overnight
for this group!
As part of the overall concept, some selections feature one
artist: thus Batiste is the only soloist on Dejohnette's
"New Orleans Strut"; and Duke's "Children of
Time" is played only by Nat accompanied by George and
Airto. The other three June numbers do include solo work by
Cannon-specifically , his blowing on Pascoal's
"Nascente" is his last recorded effort
The album was to have been finished later in
the summer, but there was no later for Cannonball. Some six weeks
later, he was dead of a stroke. Nat and I decided to complete the
project in a way that could serve as a final tribute. The
composition "Lovers" had already been written for the
album by Juilian's nephew , Nat Adderley Jr. It was recorded in
an extended version that eventually included all the others who
had played on the Junes dates, plus three special guests with special love for Cannon: young Nat; Ron Carter; and Flora Purim ,
singing lyrics adapted from a section of the New Testament book
of Revelation
Orrin Keepnews
Front cover medallion courtesy of Living
Legends;
sculpted by Karen Worth; designed by
Oscar Harris; and photographed by Alastair Finlay.
Back cover photo by Bruce Talamon (courtesy
of Swing Journal/Japan).
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